"I wondered if the party guests I'd photographed were just re-enacting a nostalgic fantasy, an imaginary version of England that already no longer existed." - Dafydd Jones Throughout the 1980s, award-winning photographer Dafydd Jones was granted access to some of England's most exclusive upper-class events. Now, the author of Oxford: The Last Hurrah presents this irreverent and intimate portrait of birthday parties and charity balls, Eton picnics and private school celebrations. With the crack of a hunting rifle and a spray of champagne, these photos give an almost cinematic account of high-society England at its most riotous and its most vulnerable. Against the backdrop of Thatcher's Britain, globalisation, the Falklands War, rising stocks and dwindling inherited fortunes, Jones reveals the inner lives of the established elite as they party long into the night-time of their fading world. Praise for Oxford: The Last Hurrah 'Sublime vintage photographs...' - Hermione Eyre, The Telegraph 'In The Last Hurrah...we see familiar faces from British high society poised on the brink of adulthood.' - Eve Watling, Independent

This volume represents the most comprehensive English-Welsh dictionary ever compiled. It opens up the immense resources of a language which not only carries a rich cultural heritage but is changing and adapting to meet increasing use in public administration, the media, education and commercial life. This dictionary is indispensable for learners and first-language speakers of Welsh alike and should find a place in homes, schools and offices throughout Wales; also in libraries and universities world-wide.

Dada formed in 1916, embedded in a world of rational appearances that belied a raging confusion - in the middle of the First World War, in the neutral centre of a warring continent, fundamentally at the heart of Western art. This book sets out new coordinates in revision of a formation that Western art history routinely exhausts through its characterisation as a 'revolutionary movement' of anarchic cultural dissent, and does so in order to contest the perpetuated assumptions about Dada that underlie the popular myth. Dada is difficult and the response to it is not easy, and what emerge from the theoretical readings developed here are profoundly rational bases to the Dada non-sense that pitted itself against its civilised age, critically and implicitly to propose that Dada courses as vitally today as it did in 1916. The Zurich Dada formation initiated deliberate and strategic cultural engagements that struggled then, as they do now, to cohere in any sense as a 'movement', extreme in their ranges as diametrically hostile oppositionalities. Dada may be given art historically as identifiable along a trajectory of sustained ruptures and seizures, but it confounds all attempts at defined or definitive readings. This book duly offers not a history of Dada in Zurich but theoretical engagements of the emergencies and now the residue of the years 1916-19 - from 'lautgedichte' to laughter, masks to manifestos, chance to chiasmata - rounding to the 'permanent' Dada by which the formation ultimately breaks the containment and deep peace of art historical chronology.

What is absence? What is presence? How are these two phenomena related? Is absence merely not being present? This book examines these and other questions relating to the role of absence and presence in everyday politics. Absence and presence are used as political tools in global events and everyday life to reinforce ideas about space, society, and belonging. The Politics of Hiding, Invisibility, and Silence contains six empirically-focussed chapters introducing case study locations and contexts from around the world. These studies examine how particular groups' relationships with places and spaces are characterized by experiences that are neither wholly present nor wholly absent. Each author demonstrates the variety of ways in which absence and presence are experienced - through silence, forgetting, concealment, distance, and the virtual - and constituted - through visual, aural, and technological. Such accounts also raise philosophical questions about representation and belonging: what must remain absent, and what is allowed to be present? Who decides, and how? Whose voices are heard? Recognizing the complexity of these questions, The Politics of Hiding, Invisibility, and Silence provides a significant contribution in reconciling theorizations of absence with everyday life. This book was published as a special issue of Space and Polity.

EPDF and EPUB available Open Access under CC-BY licence. The COVID-19 pandemic transformed the landscape of voluntary action. Some volunteering projects had to be paused, while others were delivered in different ways, but across all four UK nations large numbers of people began volunteering for the first time. This book provides an overview of the constraints and opportunities of mobilising voluntary action across the four UK nations during the pandemic. Sector experts and academics examine the divergent voluntary action policy frameworks adopted, the state and non-state supported volunteer responses, the changes in the profile of volunteers and the plans to sustain their involvement. This book addresses the urgent policy and practice need for evidence-based considerations to support recovery from the pandemic and to prepare for future emergencies.

Dada formed in 1916, embedded in a world of rational appearances that belied a raging confusion - in the middle of the First World War, in the neutral centre of a warring continent, fundamentally at the heart of Western art. This book sets out new coordinates in revision of a formation that Western art history routinely exhausts through its characterisation as a 'revolutionary movement' of anarchic cultural dissent, and does so in order to contest the perpetuated assumptions about Dada that underlie the popular myth. Dada is difficult and the response to it is not easy, and what emerge from the theoretical readings developed here are profoundly rational bases to the Dada non-sense that pitted itself against its civilised age, critically and implicitly to propose that Dada courses as vitally today as it did in 1916. The Zurich Dada formation initiated deliberate and strategic cultural engagements that struggled then, as they do now, to cohere in any sense as a 'movement', extreme in their ranges as diametrically hostile oppositionalities. Dada may be given art historically as identifiable along a trajectory of sustained ruptures and seizures, but it confounds all attempts at defined or definitive readings. This book duly offers not a history of Dada in Zurich but theoretical engagements of the emergencies and now the residue of the years 1916-19 - from 'lautgedichte' to laughter, masks to manifestos, chance to chiasmata - rounding to the 'permanent' Dada by which the formation ultimately breaks the containment and deep peace of art historical chronology.

"I had access to what felt like a secret world. It was a subject that had been written about and dramatised but I don't think any photographers had ever tackled before. There was a change going on. Someone described it as a 'last hurrah' of the upper classes." - Dafydd Jones Oxford University at the start of the eighties, rife with black ties and ballgowns. A change was on its way - best described by a newspaper as 'the Return of the Bright Young Things'. At this time, Oxford University was synonymous with the wealthy, the powerful and the privileged. Many of the young people in these pictures moved on to have careers in the establishment including Boris Johnson and David Cameron. In these photographs, however, their youth is undeniable: teenagers in full suits celebrate the rise of Thatcher in England and Reagan in America, in between punting on the river, chasing romance and partying through the night. "It was Thatcher's Britain, a period of celebration for those that had money" - Dafydd Jones Oxford: The Last Hurrah shows a world that has been written about and dramatised, yet never photographed. Affectionate and critical, it pokes affectionate fun at its subjects while celebrating English eccentricity. From the architectural marvels of the colleges to misty mornings along the river at dawn, this is Oxford at its most beautiful - and the students of the 1980s at their most raw and honest.

What is absence? What is presence? How are these two phenomena related? Is absence merely not being present? This book examines these and other questions relating to the role of absence and presence in everyday politics. Absence and presence are used as political tools in global events and everyday life to reinforce ideas about space, society, and belonging. The Politics of Hiding, Invisibility, and Silence contains six empirically-focussed chapters introducing case study locations and contexts from around the world. These studies examine how particular groups' relationships with places and spaces are characterized by experiences that are neither wholly present nor wholly absent. Each author demonstrates the variety of ways in which absence and presence are experienced - through silence, forgetting, concealment, distance, and the virtual - and constituted - through visual, aural, and technological. Such accounts also raise philosophical questions about representation and belonging: what must remain absent, and what is allowed to be present? Who decides, and how? Whose voices are heard? Recognizing the complexity of these questions, The Politics of Hiding, Invisibility, and Silence provides a significant contribution in reconciling theorizations of absence with everyday life. This book was published as a special issue of Space and Polity.

This volume puts Barth and liberation theologies in critical and constructive conversation. With incisive essays from a range of noted scholars, it forges new connections between Barth’s expansive corpus and the multifaceted world of Christian liberation theology. It shows how Barth and liberation theologians can help us to make sense of – and perhaps even to respond to – some of the most pressing issues of our day: race and racism in the United States; changing understandings of sex, gender, and sexuality; the ongoing degradation of the ecosphere; the relationship between faith, theological reflection, and the arts; the challenge of decolonizing Christian thought; and ecclesial and political life in the Global South.

What does it mean to exercise patience? What does it mean to endure, to wait, and to persevere-and, on other occasions, to reject patience in favor of resistance, haste, and disruptive action? And what might it mean to describe God as patient? Might patience play a leading role in a Christian account of God's creative work, God's relationship to ancient Israel, God's governance of history, and God's saving activity? The first instalment of Patience-A Theological Exploration engages these questions in searching, imaginative, and sometimes surprising ways. Following reflections on the biblical witness and the nature of constructive theological inquiry, its interpretative chapters engage landmark works by a number of ancient, medieval, modern, and contemporary authors, disclosing both the promise and peril of talk about patience. Patience stands at the center of this innovative account of God's creative work, God's relationship with ancient Israel, creaturely sin, scripture, and God's broader providential and salvific purposes.

This volume puts Barth and liberation theologies in critical and constructive conversation. With incisive essays from a range of noted scholars, it forges new connections between Barth's expansive corpus and the multifaceted world of Christian liberation theology. It shows how Barth and liberation theologians can help us to make sense of - and perhaps even to respond to - some of the most pressing issues of our day: race and racism in the United States; changing understandings of sex, gender, and sexuality; the ongoing degradation of the ecosphere; the relationship between faith, theological reflection, and the arts; the challenge of decolonizing Christian thought; and ecclesial and political life in the Global South.

What does it mean to exercise patience? What does it mean to endure, to wait, and to persevere-and, on other occasions, to reject patience in favor of resistance, haste, and disruptive action? And what might it mean to describe God as patient? Might patience play a leading role in a Christian account of God's creative work, God's relationship to ancient Israel, God's governance of history, and God's saving activity? The first instalment of Patience-A Theological Exploration engages these questions in searching, imaginative, and sometimes surprising ways. Following reflections on the biblical witness and the nature of constructive theological inquiry, its interpretative chapters engage landmark works by a number of ancient, medieval, modern, and contemporary authors, disclosing both the promise and peril of talk about patience. Patience stands at the center of this innovative account of God's creative work, God's relationship with ancient Israel, creaturely sin, scripture, and God's broader providential and salvific purposes.

"A little gem of a book chronicling that most gullible of all species, the human being" - Craig Brown, Books of the Year 2019, Mail on Sunday "Dafydd Jones has focused on one of the most dominant elements of the social life of our times - how the smartphone has taken us all over. It is a timely and rather sobering look at this phenomenon, done with his usual eloquence as a photographer." - Martin Parr. Almost everyone uses a smartphone, and most of us are addicted. In this book, photographer Dafydd Jones shows us just how pervasive our screen addiction has become. In almost every social situation, he shows how the smartphone has killed conversation and changed the way we look at the world. 'In the eighties and nineties', says Jones, 'when I photographed young people at parties or balls, I'd find them chatting each other up, or smooching in corners. Now I see them sneaking looks on their iPhones, checking on their Instagram feeds, or whatever it is they're hooked on. They hardly talk to each other, or make eye contact at all. And it's not just a generational thing - it afflicts the oldies too. Who knows what impact it's having in the bedroom. It's probably a race to see what will wipe out humanity first - global climate change or screen-induced sexual indifference.'

Drawing on the best English and German language scholarship to date, this book offers a novel interpretation of Barth's mature Christology. Examining the entirety of the Dogmatics, it provides a nuanced analysis of Barth's treatment of the Chalcedonian Definition, the enhypostasis/anhypostasis pairing, and various Protestant scholastic Christological distinctions; an examination of the co-inherence of Barth's doctrines of God and Christ, which contributes to current debates about Barth's doctrine of election; and a lengthy account of the Christology of Church Dogmatics IV that foregrounds Barth's understanding of Christ's human involvement in the drama of reconciliation. Throughout the text, the author shows convincingly that Barth's emphasis on Christ's divinity goes hand-in-hand with a dogmatically rich and often startling account of Christ's humanity. The text does not confine itself to the Church Dogmatics. It also situates Barth in the context of the wider Christian tradition and modern western philosophy of religion. Thus Barth is set in conversation with a wide range of thinkers, including Anselm of Canterbury, Martin Luther, John Calvin, Friedrich Schleiermacher, G. W. F. Hegel, Gottfried Thomasius, and Harry Frankfurt. In addition, the text makes a number of constructive gestures, showing a particular interest in feminist and liberationist trajectories of thought. The final chapter considers the standing of Barth's Christology today and its pertinence for theological ethics and political theology.

Drawing on the best English and German language scholarship to date, this book offers a novel interpretation of Barth's mature Christology. Examining the entirety of the Dogmatics, it provides a nuanced analysis of Barth's treatment of the Chalcedonian Definition, the enhypostasis/anhypostasis pairing, and various Protestant scholastic Christological distinctions; an examination of the co-inherence of Barth's doctrines of God and Christ, which contributes to current debates about Barth's doctrine of election; and a lengthy account of the Christology of Church Dogmatics IV that foregrounds Barth's understanding of Christ's human involvement in the drama of reconciliation. Throughout the text, the author shows convincingly that Barth's emphasis on Christ's divinity goes hand-in-hand with a dogmatically rich and often startling account of Christ's humanity. The text does not confine itself to the Church Dogmatics. It also situates Barth in the context of the wider Christian tradition and modern western philosophy of religion. Thus Barth is set in conversation with a wide range of thinkers, including Anselm of Canterbury, Martin Luther, John Calvin, Friedrich Schleiermacher, G. W. F. Hegel, Gottfried Thomasius, and Harry Frankfurt. In addition, the text makes a number of constructive gestures, showing a particular interest in feminist and liberationist trajectories of thought. The final chapter considers the standing of Barth's Christology today and its pertinence for theological ethics and political theology.

Using the theological work of Karl Barth as a resource for present-day inquiry, the contributors in this volume discuss the complex interconnections between the religious and the political designated by the term theo-politics. Speaking from various political and cultural contexts (Germany, the United Kingdom, the United States, Hong Kong, Taiwan, and the People's Republic of China) and different disciplinary perspectives (Protestant Theology, Political Sciences, and Sociology), the contributors address contemporary challenges in relating the religious and the political in Western and Asian societies. Topics analyzed include the impact of diverse cultural backgrounds on given theo-political arrangements, theological assessments of political power, the political significance of individual and communal Christian existence and the place of Christian communities in civil societies. In their nuanced discussions of these topics, the contributors neither advocate for a privatized, apolitical understanding of the Christian faith nor for a religious politics seeking to overcome modern processes of differentiation and secularization. Critically engaging Barth's theology, they examine the Christian responsibility in and for the political sphere and reflect on the practice of such responsibility in Western and Asian contexts.

The legendary poet and boxer Arthur Cravan, a fleeting figure on the periphery of early twentieth-century European avant-gardism, is frequently invoked as proto-Dada and Surrealist exemplar. Yet he remains an insubstantial phenomenon, not seen since 1918, lost through historical interstices, clouded in drifting untruths. This study processes philosophical positions into a practical recovery - from nineteenth-century Nietzsche to twentieth-century Deleuze - with thoughts on subjectivity, metaphor, representation and multiplicity. From fresh readings and new approaches - of Cravan's first published work as a manifesto of simulation; of contributors to his Paris review Maintenant as impostures for the Delaunays; and of the conjuring of Cravan in Picabia's elegiac film Entr'acte - The fictions of Arthur Cravan concludes with the absent poet-boxer's eventual casting off into a Surrealist legacy, and his becoming what metaphor is: a means to represent the world. -- .